Seun Kuti Slams Davido for Disrespect at New Afrika Shrine, Calls Out Wedding Snub and Unpaid Bills

Afrobeat musician Seun Kuti shared his experiences with Nigerian pop star Davido, recounting a time when the globally recognized artist would frequent the renowned New Afrika Shrine in Lagos. Seun Kuti, the son of legendary musician Fela Kuti, reflected on Davido’s visits with a large entourage, typically consisting of around 100 people. According to Kuti, these visits were marked by excessive drinking, but the artist often left without settling the bill.

The New Afrika Shrine, a symbolic venue for Afrobeat culture, holds significant cultural and personal importance for Seun Kuti. He expressed disappointment, noting that while Davido freely enjoyed the offerings of the Shrine, their relationship seemed one-sided, especially when it came to respecting boundaries and reciprocating goodwill.

Unpaid Tabs and Disrespect: Seun Kuti’s Frustration

Seun Kuti’s frustration with Davido’s behavior at the Shrine goes beyond the unpaid tabs. The musician emphasized that it wasn’t just about money but the lack of appreciation and respect. Kuti suggested that for someone of Davido’s status, settling bills should be a non-issue. However, the repeated pattern of consuming without payment felt like a disregard for the Shrine’s hospitality and a lack of mutual respect.

Seun Kuti noted that the Shrine wasn’t just another venue; it represents a cultural institution and a home for artists. His sentiments reflect a broader concern about how younger artists interact with spaces of deep cultural heritage, often exploiting them without showing adequate respect.

The Wedding Snub: A Personal Blow to Seun Kuti

In the interview, Seun Kuti revealed that despite hosting Davido several times at the Shrine, he was not invited to Davido’s high-profile wedding. This, he admitted, left him feeling deeply hurt. Kuti said, “I didn’t get an invitation to his wedding, and I was pained.” For Seun Kuti, the exclusion from such a significant event in Davido’s life felt like a betrayal, especially given the history they shared.

Seun Kuti’s feelings of hurt and exclusion reflect a broader issue of recognition and respect among artists in the Nigerian entertainment industry. He viewed the snub as a personal slight, considering how often he had welcomed Davido to a space that means so much to him and his family’s legacy.

Davido’s Impact on the New Afrika Shrine

Davido’s frequent appearances at the New Afrika Shrine have undeniably had an impact on the venue’s visibility, especially among younger fans. As a global superstar, his presence attracted crowds and boosted the Shrine’s profile. However, Seun Kuti argued that this exposure came at a cost. While Davido brought attention, it wasn’t necessarily the kind of recognition that honored the Shrine’s rich history.

Seun Kuti pointed out that the New Afrika Shrine is more than just a concert space; it’s a cultural and political hub with deep roots in Afrobeat’s revolutionary spirit. He felt that Davido’s visits didn’t align with the Shrine’s values and that there was a lack of genuine connection to the culture it represents.

A Call for Respect Among Artists

Seun Kuti’s remarks highlight a broader issue within the Nigerian music industry: the need for mutual respect among artists, especially when it comes to legacy and cultural heritage. For Seun, the New Afrika Shrine isn’t just a place for entertainment but a symbol of resistance and creativity. He emphasized that artists like Davido, who have achieved global fame, should recognize and respect the history behind such spaces.

The Afrobeat scion called on his peers to be more mindful of the spaces they occupy and the people they interact with. He suggested that younger artists need to acknowledge the efforts and sacrifices of those who came before them, ensuring that relationships within the industry are built on respect, not exploitation.

Seun Kuti’s Legacy and the Future of the Shrine

As the youngest son of Fela Kuti, Seun Kuti has continued his father’s legacy of using music as a form of activism and resistance. The New Afrika Shrine remains a central part of that legacy, symbolizing the enduring influence of Afrobeat on global music and culture. Seun’s leadership at the Shrine is not just about maintaining a venue but about preserving a cultural movement.

Looking to the future, Seun Kuti hopes that the Shrine will continue to serve as a place of reverence and respect for Afrobeat’s history. His recent comments about Davido are part of a broader conversation about how contemporary artists can better engage with and honor the spaces and legacies that paved the way for their success.